Posted tagged ‘Stand-Up’

On Mitch Hedberg vs. Anthony Jeselnik

November 17, 2010

My fake plants died because I didn't pretend to water them

I got a phone call late last night telling my Grandmother's only got a day left to live. I don't want this to sound cold, but I'm not going to pay the ransom.

Recently, according to the internet, there’s been quite the hoopla about hot *it* comedian Anthony Jeselnik and his new album Shakespeare. Personally, I find this fanfare well deserved as the man is quite funny. He’s crafted a unique one-of-a-kind style, fine-tuned his performance and really makes me laugh. However, when discussing/sharing Jeselnik I’ve found a growing number of people have started to bring up the late great Mitch Hedberg. These mentions have ranged from comparative compliments to accusations of biting. As a longtime admirer of both, I can see why one might remind people of the other. They’re both one-liner comics with their own specific brand of logic that pulls the audience into their specially-designed world. However, I believe there are three major difference between the two that show Jeselnik is more than his own man.

1 ) The Darkness
– If there’s one obvious trait about Jeselnik, it’s that he’s a comedian with subject matter so dark it’s pitch black. In any other venue than stand-up comedy, his tales would convince you that he’s quite possibly the worst human being who has ever lived. We all told dead baby jokes in junior-high, but to relegate Jeselnik to this status would be doing his craftsmanship and utter depravity a tremendous disservice. For him, it’s not enough that the baby’s dead, rather there’s an even grimmer circumstance as to why it’s dead and a sinister anti-comment on society to be made, said with the most gleeful stoicism possible. Hedberg, on the other hand, wants to cuddle with koalas and buy ducks Subway. He’s sweeter than Sweettarts. I’m pointing this out because it isn’t enough to merely state one is a bit more morbid than the other. They’re on completely opposite ends of the spectrum.

2 ) The Confidence
– Mitch’s delivery was as quiet and hidden from the audience as possible. His persona was rooted in being shy. There’s a telling moment in his first Comedy Central stand-up special where, after an applause from the audience goes longer than expected, Hedberg half-looks up and says “I smile when I’m happy.” It’s that natural uncontrived vulnerability that allowed the sillyness of his humor to thrive. Anthony Jeselnik is dry, no banter, “these are my jokes” and making direct eye contact with you the entire time. His persona is the man on a mission to let you know through his heartlessness that he’s the coolest guy in the room. Hedberg is the stoner buddy, AJ is the door-to-door salesman of doom.

3) The Fluidity
– Hedberg had an almost stream-of-conscious structure to his jokes where his one-liners would seem to just pop in and out of his head. The order of how he delivered them could change, but he knew how to use the bricks he had to build a special padded wall of comedy. His performances had the warmth of late night campfire stories. Comparatively, Jeselnik is as detached and cold as the HAL-9000. AJ punches his jokes in-and-out like he’s reading a grocery list, using a smirk and the occational “yeah, I’m good” head-shake as his only transition. His agenda is to tell you these jokes and that’s it. Hedberg is there to hang out and whatever happens happens.

Bring the darkness home for the holidays!

That’s not to say there aren’t similarities. They’re both in-and-out setup-punchline comedians at a time when that’s fairly rare. There’s more-than-likely a Hedberg influence on Jeselnik, but watching a performance of the two back-to-back shows that they’re pretty different beasts. As someone else pointed out, to call Jeselnik a copy of Hedberg is like calling Hedberg a copy of Steven Wright. I don’t believe the stark differences between the two makes one better than the other, rather I believe they should each be celebrated for the tremendous hilarity that both bring to the table.

So until next time…let’s agree to agree!

Greg Giraldo’s Best Roast Performances (I Got 5 Honest)

October 1, 2010

Roast in Peace

Last Wednesday, the day I planned to see him perform in NYC, Comedian Greg Giraldo left this world after 44 years of comic excellence. In reading one of the numerous tribute threads on messageboards across the web, I read one fan refer to him as “a Colombian who never played up being Latin and had the snapping capabilities of an entire black kid lunchroom table.” A touching sentiment, with an unfortunate cloud cast over it by Viacom spending the day after he died removing all clips of his performances from the internet under the guise of copyright infringement. Fortunately, there are no rules on the wild west known as ‘everywhere else on the internet’, so here via hyperlinks of varying sites and quality, are my five all time favorite Greg Giraldo performances!

Again, my apologies on the varying video quality and weirdness of the sites. Going all out for Greg here.

The Roast of William Shatner

– The reason Greg was such a favorite at these Roasts is because of how effortless a crowd pleaser he was. Any kind of joke for any kind of celebrity or “celebrity” he had. Here, he runs the gauntlet of topics and subjects that any Roast audience would want from a performer.

Greg Destroys a Heckler in Jamaica (2007)

– While nobody could prepare a roast like Giraldo, few could come off-the-top with such firepower either. You can almost see how the joke-writing side of his brain works here as he evaluates the situation where an “old New England-looking man with a beard” approaches him and his instant-arsenal unfolds.

The Roast of David Hasselhoff (2010)

– Because of his ability set a night of with everyone laughing, most of Giraldo’s roast appearances had him going first. Fortunately, before Greg’s untimely passing he had an opportunity to close a major televised roast. This past summer’s Roast of David Hasselhoff saw him bring the same mastery he applies to kicking off the night to go out with a bang, leaving the audience wanting more.

The Roast of Flavor Flav (2007)

– This one’s my personal favorite. I’m not going to spoil it. Just watch.

The Roast of Larry the Cable Guy (begins at 3:57) (2005)

– This right here may be Greg’s masterpiece. Perhaps overlooked because of the absolute Larry the Cable Guy saturation at the time, Greg manages to vivisect the Cable Guy that on the surface works as just a great roasting, but probing deeper reveals the perfect exasperated venting of a lover of comedy in a world where one of the art’s most successful names otherwise represents everything he loathes and detests about society. Giraldo’s just barely playing nice as the frustration of the Cable Guy-era is perfectly encapsulated in one five minute assault.

One of the best.

We give Greg Giraldo a Five Out of Five

So until next time…let’s agree to agree!