Editor’s Note – As part of our ongoing Journeys in Liquidation Sales series here at Popular Opinions, it only seemed right to commemorate the one-year anniversary of Circuit City’s demise where much of JILS‘s inventory came from. This piece originally appeared somewhere else but I decide to have it remixed and digitally remastered with pictures, spun-back cusswords and the most nostalgic and absurd Circuit City clips the internet had to offer, including the in-store only complete Circuit City rap seen below.
“All cities are mad: but the madness is gallant. All cities are beautiful: but the beauty is grim.” ~ Christopher Morley, Where the Blue Begins
“I have a CD in stores, just in time for people to not give a kcuf about CD stores anymore.” ~ Mitch Hedberg
In three more days Circuit City, once the second largest electronic retailer in the United States, will close its doors forever. The latest mega-conglomerate to collapse, its slow burial beneath six feet of unsold Hancock and The Dark Knight DVDs has been met with an almost ‘told-you-so’ indifference and bitter obscenities due to, at a time when the store hasn’t received any new product for a month and has its entire inventory marked to 80% off, Johnny McBargainBin’s anger that he can’t find any of today’s hottest hits. The “Everything Must Go” signs adorn the walls like funeral wreaths, as EuroJungleHouseTrance echos an ominously repetitive requiem.
It’s March, 2009. Every industry, save tent manufacturers and repo men, is struggling. With the entertainment industry continuing to have problems, this latest loss is almost eclipsed by the announcement last week that Virgin will be closing all of its stores by June and Best Buy, while not closing, will be shutting down almost two-hundred locations within the next month. It’s hard to believe that just nine years after the industry (as well as downloading) hit an absolute pinnacle, the game shows no real hope for any commercially available physical media.
As much as I love the 29 CDs and 4 DVDs that I got for a combined total of under $100.00 during this retail trail of tears, it deeply saddens me that (without hyperbole) the physical music business is truly coming to an end. It’s over. Done. Ghost like Swayze. Outie 5000. And it all went so fast, too. I remember the summer of 2000 when the Mall of America had 5 different flourishing music stores inside of its gigantic singular complex. When I returned two years ago, all that remained was an single FYE that had bought out the last Sam Goody in the entire state and was having a “going out of business” sale. I felt a similar shock when I realized that since moving to New York City four years ago, 15 local music stores closed down. Come June, that number increases to 20 with Manhattan solely relying on FatBeats as its only non-electronics based music outlet. Otherwise we have J&R (who are probably not going anywhere as in 1971 they flatout bought the property for their location) and Best Buy (who are also doing-away with their music section but will be gone soon too) and that’s it.
But instead of placing blame, I’d like to take a moment to reflect on some of the great things Circuit City did. When Tower Records, the last strictly-music chain (Tower Video was always a separate entity) fell in 2006, music fans with a taste for more than “today’s hottest hits” were forced to find a new source for our more obscure cravings. While it never came close to Tower’s cornucopia of regional-rap, Circuit City did stand out for its emphasis on 1) selection and 2) catalog titles. New York does have its hip-hop stops, but with the East Coast bias nobody will admit to, and even Minnesota’s own hesitance on getting it’s hands dirty with some of the filthier parts of the south, Circuit City allowed a nationwide accessibility for everything from Eightball & MJG’s debut to Turf Talk and Lil Boosie mixtapes to every single project Cappadonna attached his name to.
They also were the only chain to reach out to the larger indie and overlooked major-label artists for nationwide promotions. The Clipse’s Hell Hath No Fury was given a ridiculously discounted price, drop taken as a hit to the store, its first week of release and thus moved the bulk of its units there. It’s also the only store major OR mom-and-pop I know of that offered free t-shirts from the like of T.I., Scarface AND Tech N9ne if you purchased their albums the week of release. And unlike Best Buy, “The City” (As it’s unfortunately titled pedestrian-friendly 2007 makeover redubbed it) kept its prices low, even after it had buried its competition. To its dying day*, new releases were $11.99, recent hits were $12.99 and extended catalog titles were $9.88. Did this policy drop help or hurt it? Who knows? The bells have been tolling since the industry eliminate the maxi-single in 2001 and the dominos have been falling ever since.
So, what can be done now? I’d suggest we ride the wave back to the shore. It’s labor day weekend, and we have a long autumn ahead of us. All CDs/DVDs are 80% off and there’s some quality stuff you might have your last chance ever to get in there. You may never have another opportunity to get Tech N9ne, Project Pat, UGK and BG’s entire discography for under $50.00 combined. So g’head. Remember as a kid when you saw the Nickelodeon Toy-Run Sweepstakes?
Now’s your only chance to live it. TOO LATE! SEE YOU IN HELL! FROM HEAVEN!
So until next time…Let’s Agree to Agree!
*Or at least until it was put on Death Row.