Posted tagged ‘2010’

The FIVE BEST LIVE ACTS I SAW IN 2010 (C.A.T.T.L.E.) (I GOT 5 HONEST)

January 25, 2011

As we’ve said so far during Chaz’s Arbitrary Top Ten List Extravaganza, 2010 was a pretty fantastic year for music. But many were shocked to find out last year that music actually existed outside of the internet! These music exhibitions, otherwise known as concerts, are mostly held so greedy old people can bleed other old people for cash. However, there were more than a handful of performances that were not only outstanding works of art, but ranks among my favorite moments of the year. So now join me and some grainy iPhone footage as we look back on the five best live acts I saw in 2010!

I liked the part when they did songs!

5) HOMEBOY SANDMAN (June 1st , S.O.B.’s)

Kicking off the summer right was Homeboy Sandman’s record release show at S.O.B.’s. Not only was everybody who’s anybody in New York Hip-Hop there, but at least half of the audience were real life warm-blooded supporters not afraid to have a great time. With easily hundreds of fans and friends there to celebrate the rise of The Good Sun, it was just as powerful to see Sandman make his way around the room and treat every person in attendance like the most important person there. But this is all secondary to an amazing career-spanning performance that featured as many new favorites as underground anthems the usually-fickle Manhattan crowd was happy to chant right along with. The clip above was my favorite moment of the show when I was (to my surprise) invited on-stage along with Kosha Dillz for a freestyle over Guns ‘n’ Roses’ “Sweet Child of Mine.”

4) SAGE FRANCIS (June 25th, Webster Hall)

But as June began with the end of one career’s beginning, it ended with another’s touring career’s end. Longtime favorite of mine, Sage Francis set the final performance of his Li(f)e tour to be at New York’s Webster Hall, and it was bittersweet to be there for that last hurrah. Backed by Free Moral Agents with songs spanning from 1997 (shockingly breaking out his reinterpretation of A Tribe Called Quest’s “Can I Kick It” from his days fronting AOI) through his entire discography and closing with “The Best of Times,” it was a great goodbye to one of the most reliable live performers in the genre as he passed the torch to labelmate B.Dolan.

3) PACE WON (September 3rd, FatBeats) / RAH DIGGA (October 21st, Sullivan Hall)

I’ve probably listened to The Outsidaz’s Night Life EP more than any other CD in my collection, but they sadly dissolved when I was 15 so I was never able to see them. It was great to fulfill a decade’s desire to finally see two of the Outsidaz family live. As unfortunate as it was to see FatBeats closing, it gave us a great week of performances, the best of which was Pace Won. Performing a dream setlist of his most known singles and Outsidaz verses, along with plenty of anecdotes in between, it was a great goodbye to the Home of New York Hip-Hop. On a much happier note, Rah Digga’s performance was the highlight of CMJ. While she also ran through her most known singles and even a medley of her posse cut verses, her set ran the gauntlet of emotions as she seamlessly wove in her new material to an absolutely captivated New York crowd.

2) THE TOILET BOYS (June 14th, Le Poisson Rouge)

During my “Punk Rawk” High School years, there was no band I wanted to see live more than the Toilet Boys. Introduced to me by their ties to Troma Studios, I was never given the chance to see the fire-breathing glam rockers live as the Great White incident pretty much ensured they would never get booked again. So imagine my surprise when longtime friend and homie Ray Willis called me on a Monday afternoon to tell me that not only were the Toilet Boys having a surprise “dress rehearsal” reunion show THAT NIGHT, but it was FREE. At a price that fit my budget perfectly, I attended and felt myself step right back into 2002. The jam was awesome. The crowd roared like a lion. It really whipped a hyena’s ass. PLUS, I caught a t-shirt. What more could you want?

1) PRINCE (December 18th, Madison Square Garden)

Not unlike Mortal Kombat II, nothing in the world could have prepared me for this. As a child of the Twin Cities, I’ve grown up with the mythology of Prince as far back as I can remember. Of course, seeing the Purple One in our shared homestate is a near-impossibility and, even then, the setlists have reportedly been mostly new material. When he announced the Coming 2 America tour, I had to see it. Absolutely spellbinding. Words cannot express what a show this was, but this setlist might help make you understand. He gave it all and we took every bit of it. A great end to a great year.

He's writing about me!

So until next time…let’s agree to agree!

Drake’s Letter to Aaliyah – Letter Review

August 31, 2010

I know way too many people here right now who had songs on the Dr. Dolittle soundtrack. What am I doing?

Last week marks nine years since the death of sultry songstress Aaliyah. Moved by her body of work in life and in the years following her death, rapper Drake (AKA “Wheelchair Jimmy”) publicly expressed how much the singer meant to him in a way that touched some and offended others. He writes:

Dear Dana,

I’ve never lost a parent, a friend, or a lover but I will never forget this day for the rest of my life. I remember getting the news that you had passed and it connected with my heart like a clean shot from Muhammad Ali. I was crushed. Not only was I one of your biggest fans but I was truly in love with you. I loved the way you carried yourself, the way you dressed, the confidence with which you addressed passion and relationships in your music. I said to myself that even if we never met, I wanted a woman in my life just like you. I am pained that we will never get to connect now that music ended up being my career path. But you should know, we all listen to you everyday and we remain inspired and moved by all that you’ve given the world. I hope I make the right life choices so I can end up in heaven where I know you rest your head. I’ll continue to make music in your honor until the day we finally meet. Dinner’s on me!

Love you always and forever,

Drake

Right off the bat he addresses the the R&B Princess posthumously by her middle name ‘Dana.’ Now remember that this kid never met Aaliyah once during his life, and was all of 14-years-old when she died, but feels intimate enough with her to address her by a name that she was never once referred to by any public figure. Balls. He goes on to express that he’s never had to deal with the concept or reality of death at any point in his life, so we might as well be reading Drake’s letter about his time playing water polo with dinosaurs in space. Yes, the death of a celebrity he’s never had any interaction with or connection to is the absolute worst thing to ever happen to Drake in his life, and he’s about to tell us about it.

Or is he?

The next line, where Drake actually uses the word “like” in a simile, suggests someone else may have written it for him. If you’ve ever heard a Drake song, you know he’s somehow incapable of using this word and instead substitutes it with a dramatic pause. (SIMULATED DRAKE LYRIC: “Haters be all up in my ass (dramatic pause) colon / they need to get up off my dick (dramatic pause) foreskin”) Lucky for us, we’re soon reassured Drake’s holding the pen by his hyperbolic high-school heart hemorrhaging the sentence “I was truly in love with you.” At the risk of sounding cheesy, Drake fell for the girl on TV. He then states how his inner-turmoil for never having an Aaliyah to his own is compounded now that’s he’s wound up in the music industry. This is followed by him adding a royal touch by suddenly jumping to the first-person plural perspective, stating “we all listen to you everyday and we remain inspired and moved by all that you’ve given the world.” I know age ain’t nothin’ but a number, but I’m pretty sure most would agree that numbers are, in fact, numbers. So either Drake is suggesting both he and Aaliyah’s ghost are still listening, inspired and moved by HER OWN MUSIC or he’s returning to the writing device that can now only be referred to as “Drakeperbole.”

Aren't you that somebody from the wheelchair from that kids' show?

The letter closes by proving Drake really thinks he’s (that?) somebody. He states with no real certainty or confidence that he hopes he “made the right life choices” so that he could end up in a lower-case “heaven” (must be the generic off-brand afterlife) where he knows she is. He then dedicates the rest of his career to her and asks her, CEO Dame Dash’s dead fiancee, to dinner. Again, balls. Not only does Drake believe that when he’s truly so far gone he’ll wind up somewhere that isn’t a proper noun BUT it’s a place where even despite his celebrity he’s expected to pay for food.

Best I Never Met.

While the sentiment is strong, the numerous errors and overindulgence within the letter really takes away from any beyond-the-grave quality or impact it might have. Furthermore, it’s troubling that this letter is eerily similar to one I wrote to early 20th-century bluesman Blind Willie McTell earlier this year:

Dear Bill,

I’ve never lost a parent, but I have lost grandparents, close friends, a choir teacher, a gerbil, a hamster, and a beta fish. Still, I will never forget the day I found out you died twenty-six years before I was born. I remember getting the news that you had been very dead for a long time and it burned me like a George Foreman Grill. I was smushed. Not only was I one of your biggest fans but I would use your name as an inarguable trump card when hooking up with guitar-enthusiast music snob girls in college. I loved the way you carried yourself, the way you dressed, the confidence with which you addressed beating your triflin’ woman in your music. I said to myself that even if we never met, I wanted a woman in my life to know her southern can belonged to me. I am pained that we will never get to connect now that music ended up being what I’ve convinced my former high school classmates I’m doing with my life. But you should know, we all listen to you everyday and we remain inspired and moved by all that you’ve given the world. I hope I make the right life choices so I can end up with you where the good lord sends women down. I’ll continue to make music in your honor until the day we finally meet. Hope you like Taco Bell!

Yours in dated misogyny,

Chaz

We give Drake’s Letter to Aaliyah a Two out of Five

So until next time…let’s agree to agree!

PopularOpinions’ “PopularSummer 2010” – Our “Best of…” Summer Compilation

August 13, 2010

Like this, but in rap form.


Check it: http://www.4shared.com/file/OHGgnRkU/PopularOpinions_PopularSummer_.html

Perhaps you’ve been wondering where I’ve been this week? Well, seeing as it’s my birthday and I’m all about flipping dem standard blog conventionz on dat azz, I’ve decided to give YOU (yes YOU, the reading and listening public) a collection of my favorite songs this summer. 2010 has been the best year for Hip-Hop in quite sometime, and this season has been no exception. Therefore, now more than ever, you need some essential jams and bangers to make your dog days of summer the absolute hottest possible. I give you PopularSummer 2010, my collection of the absolute best Hip-Hop from all over the map, perfect for any barbecue, midnight drive or “TipDrill” video recreation. The link is above and below this paragraph, with the tracklisting listed below, as well as a repeat posting of the link as it’s standard blog procedure to assume one’s readership requires no less than three links to the same thing in order to harness your attention.

DOWNLOAD NOW: http://www.4shared.com/file/OHGgnRkU/PopularOpinions_PopularSummer_.html

PopularLager

Tracklisting:

1 ) Mac Lethal – “Party in the USA (Miracles Remix)”
2 ) Lil B – “The Summer”
3 ) Kurupt – “Bounce, Rock, Skate feat. Snoop Dogg, Terrace Martin & DJ Quik”
4 ) Young L – “DROP TOP SWAG”
5 ) Beeda Weeda – “Baserock Babies”
6 ) Earl Sweatshirt – “Earl”
7 ) Big Boi -“Lookin’ For Ya feat. Andre 3000 & Sleepy Brown”
8 ) Camu Tao – “The Perfect Plan”
9 ) Yelawolf – “I Wish Remix feat. Prynce Cy-Hi & Pill”
10 ) Paul Wall – “Live It feat. Raekwon, Yelawolf, Jay Electronica”
11 ) Oddisee – “I’m From PG”
12 ) Rick Ross – “Free Mason feat. Jay-Z & John Legend”
13 ) Da Vinci – “Clean Ass Whip feat. Quinn”
14 ) Nottz – “Cars Remix feat. Rah Digga and Derek 32Zero”
15 ) Jay Electronica – “A Million In The Morning”
16 ) Homeboy Sandman – “Mean Mug”
17 ) Justin Bieber – “Baby (El-P Death Mix)”

GET IT HERE: http://www.4shared.com/file/OHGgnRkU/PopularOpinions_PopularSummer_.html

The Top Ten Richard Dunn Moments (C.A.T.T.L.E.)

June 9, 2010

RIP Richard Dunn 1935-2010

This is a special installment of Chaz’s Arbitrary Top Ten List Extravaganza where we focus on the late Richard Dunn‘s body of work. If you would like to join me in donating to his funeral and memorial services, you can do so HERE.

Last Friday was marked was the sad passing of comedic actor Richard Dunn. Most famous for his work on Adult Swim’s “Tim & Eric Awesome Show: Great Job,” Dunn was a one-of-a-kind charismatic geriatric who always seemed more than happy to go along with whatever absurd exercise his cohorts were engaging in. It’s somewhat of a challenge to give the man a proper eulogy as his presence our lives were in such entertaining short bursts that defied their own explanations. Yet, the vacuum they exist in succeeded in exactly what Richard Dunn set out to do, and that was to entertain us. In that tradition, I’m going to refrain from commenting on each clip as Dunn’s work largely speaks for itself. In short, here’s ten examples of why it was awesome sharing planet Earth with Richard Dunn.

#10 Encouragement from Pep-Pep

#9 Dunn’s Message for Jackie Chan

#8 Dunnions – Gettin’ It Dunn

#7 Parks and Recreations and Dunn

#6 She Has No Grace

#5 Dunn Needs Your Bones

#4 Tim & Eric Awesome Tour 2009 Intro

#3 Dunn-Prov

#2 World’s Most Handsome Man – Finals!

#1 Dunngeon

We give RICHARD DUNN a FIVE OUT OF FIVE

BONUS BEAT: Dunn’s Debut in Diddy’s “Bad Boy 4 Life”

So until next time…let’s agree to agree!

I, VALENTINE – Music For Loving Lovers in Love and Sultry Singles

February 12, 2010

Editor’s Note: This is something I wrote that originally appeared “somewhere else” back in 2007. Times were different then, so in order for something so archaic to be comprehendible by today’s audiences I’ve added a few *NEW* elements, which will be signaled by obnoxiously writing “new” in capitol letters with two asterisks on either side.

Hearts, Stars and Horseshoes,

It’s that time of the year again. That day between observing Martin Luther King Jr. and (dead) Presidents when we remember that the person we’re sharing a bed with is pretty alright as well. For singles, this is a day when one either remembers how fortunate they were with lovers past (I see you baby!) or loathe the fact that nobody loves them and spend the evening awkwardly trying to scoop something young, drunk and warm (I see you, baby.)

For me, regardless of romantic condition, it’s a time of eating Sweethearts candies and listening to some of the most inspired musical memories from seasons past. That in mind, I thought I’d post some fitting music to you regardless of your condition this February 14th. What follows will either A) Get you and that special someone in ‘that kinda mood’ to have a night of Valentine Laffy Taffy together B) Get you singles pumped up to pimp it out tonight, or C) just chill and procrastinate on that homework due tomorrow you should have had done last night.

Hey, I have to earn one of those Facebook Wall Gifts somehow, right? Also, you’ll notice a lack of Isaac Hayes, LL Cool J, and Marvin Gaye in this list. I agree that they’re probably the Best Love Summer Jam No. 1 OMGLYLASBBQ muzik eVaR, but do you really need another list telling you how great “I Need Love” is?

And into the Tunnel of Love we go…

Some people call him the space cowboy. Some call him the Gang Starr of love.

1) Gang Starr – “Ex Girl to Next Girl” (1992)

For the Romantically Reflective –

A mixtape favorite of mine for several years, this was the centerpiece of Gang Starr’s 1992 classic “Daily Operation.” DJ Premier’s manipulation of Caesar Frazier’s “Funk It Up” becomes the perfect backdrop for arguably Guru’s finest hour. Never has his introspective vocabulary and everyman delivery suited a song better than this tale of love, loss, and closure. Mature without being pretentious, intelligent without being forced, “Ex Girl to Next Girl” remains one of the genre’s greatest moments. Perfection.

2) Amy Winehouse – “F*** Me Pumps” (2003)

For the Cynical Singles in the Corner of the Club Laughing at Those of Us Who Buy Into this “Hallmark Holiday” –

Before she was on the verge of being the next big import, Amy Winehouse debuted overseas with an interesting genre-bending album called “Frank.” Influenced by everything great about the Wikipedia article about the last 50 years of popular music (as well as some not-so-great things such as improper dieting) the album found her channeling great heartfelt R&B one moment and singing soulfully over Nas’s “Made You Look” the next without missing a beat. The highlight for me was “F-Me Pumps,” a scathing bit of cynicism that sounds like it was recorded in Heaven.

On a personal note, this song remains the single best song I’ve ever been introduced to on one of those “relationship” mixtapes you make for your special someone that they’ll probably listen to once or twice over the course of the relationship*. *NEW* The version that was given to me was a remix known as the Mylo Mix, which I’ve sentimentally thrown up here.

3) Main Source – “Lookin’ At the Front Door” (1992)

For those in Relationships That Plan To End Them as Soon as they Get the Gift and it becomes the 15th –

Arguably the best album to drop on Wild Pitch Records, Main Source’s “Breaking Atoms” is much more than just Nas’s recorded debut. With one of the all time greatest producers Large Professor behind the boards, this album contained one of Hip Hop’s greatest police brutality cuts (“A Friendly Game of Baseball”), posse cuts (“Live at the BBQ”) and the only one-verse song that rivals Eric B. and Rakim’s “Paid in Full” (“Peace is Not the Word to Play”)

The album also contained this single, “Lookin’ At the Front Door.” One of the most referenced songs in the genre, this break down of exactly why a relationship isn’t working is funny, clever, and ultimatly moving. Couple that with one of the most recognizable beats of the era and you have an undisputed Hip-Hop classic, everything the genre can and should be.


4) Souls of Mischief – “Step to My Girl” (1992)

For the Overprotective Boyfriend, and those who Covet them –

A song that sadly never saw the light of day on “93 Til Infinity” due to sample clearance issues, this Bay Area banger about the absurd machismo of overprotective boyfriends is one of the best creations from a crew who, at the time, could do no wrong. The beauty of the Grover Washinton Jr. sample (an instrumental cover of Bread’s “Aubrey,” a song with lyrics so pre-emo that my wrists hurt just listening to them) and the contrast it provides to the crew’s endearing slapstick makes for a one-of-a-kind gem. With the sample at the end making for one final solid laugh, the song is four minutes and nine seconds of perfection. The hilarious KRS sample for the chorus doesn’t hurt either.

5) Chaz Kangas – “Black Cherry Chazfool” (2009)

DOWNLOAD THIS NEW CHAZ KANGAS SONG HERE!!!

For those having this night of all nights for awkward first dates –

*NEW* Originally “Black Cherry Audrey” from my 2005 collaboration album with Patrick “Kid Icarus” Swanson (Mouthful of Bees), here’s a quick press blurb from before the album’s release:

“One of the prettier moments on “Notes from the Underground”, this charming ode to awkward love disarms, arms, and disarms again.”

I had always liked the song and would work it into my live sets whenever possible. Once “Knee Jerk Reaction” came out I forgot about it and didn’t take it out of the vault until last December when I wanted to rework an old song of mine as the B-Side to my 2009 Christmas song “Christmas Mischief.” I don’t recall what exactly drove me to do it over “Lovefool” by the Cardigans, but somehow it worked.

Love me, or leave me alone.

And on that note, I hope you’ve enjoyed this romantic romp. I’m trying real hard to earn one of those Facebook wall gifts, so hopefully this great deed** won’t go unrewarded.

I also want to dedicate this post to my college Facebook girlfriend of two years, Katherine “Shadowcat” Pryde. Of all the fictional characters I’ve ever been involved with, you’ve by far kept it the realest. If you’re not busy with the X-Men, save me a dance at the end of the night.

Your Valentine,
Chaz

*The worst is still “Teenage Rock and Roll Machine” by the Donnas.

** Greater even than the 2002 Adam Sandler film Mr. Deeds.