VH1 Hip Hop Honors 2010 – Reporting Live!

Best 2010 Hip-Hop Honors Ever!

It’s the early morning of Friday, June 4th and I’m writing this having just returned home from the 2010 VH1 Hip Hop Honors event. This year’s theme is The Dirty South, honoring such legends as Master P, J. Prince (founder of Rap-A-Lot), 2 Live Crew, Timbaland and Jermaine Dupri. Thanks to the homie Adam Bernard, I was invited to witness the festivities firsthand and let me tell you what a rare treat this was. As I’ve mentioned in the past, I grew up in Minneapolis, Minnesota and would spend my weekends hopping from music store to music store. Due to the North Star state’s geographic location, rappers from every region eventually had their material matriculate back to us. I got a fever for several simultaneous flavors and really learned to love rap music for its various variants. Now was my first opportunity ever to see many of my heroes in the flesh, so of course I had to be there.

Seriously.

Before I begin, I want to point out that the entire show was shot “out-of-order” so if anything in this recap happens in a different sequence or doesn’t make it to air, you can chalk it up to the magic of television. I’m going to attempt to avoid spoilers, but knowing VH1’s track record you’re going to be bombarded with commercials of all the surprises so unless you have the will-power to not watch the numerous “What Chilli Wants” marathons over the next 72 hours I’d advise you to proceed with caution.

After hours of standing, the night began with a tribute to Rap-A-Lot Records’s founder J Prince. Rap-A-Lot’s string of releases from 1990-1994 is my favorite period of any record label’s output ever. The medley of the label’s biggest hits began with Geto Boys member Willie D and The Game performing “Mind Playin Tricks on Me.” Say what you will about The Game’s music and penchant for name-dropping, but his love for Hip-Hop really shines through in his live performance as he knocked Bushwick Bill’s verse out of the park. The medley also included Juvenile doing “Nolia Clap” and Drake dueting with UGK’s Bun-B. None of these acts were announced beforehand, so you can imagine how the place exploded when they just appeared on stage one-right-after-another.

We were then treated to the opening vignette and an incredible brief (We’re talking 2-3 jokes tops) monologue from Craig Robinson, best known as Daryll from “The Office.” His dry wit was quite a change from the playfully obnoxious partying of Tracy Morgan in years past, but with the flamboyance of the talent being honored and doing the honoring he made an effective straight man, making the presentation palatable for the not-so-country attendants at hand. Also on hand were comedians Eddie Griffin and “Community’s” Donald Glover, the latter of which’s introduction of 2 Live Crew got the biggest laugh of the night.

I thought it was a smart move to divide the tributes by region, allowing the night to work as something of a crash course in “Country Rap Tunes.” Odd as it may sound, Jermaine Dupri got the biggest reactions of the night. For whatever reason, whenever his name was mentioned, the crowd erupted. Odder still is that he got this warm reception yet his tribute video and performance was the only one audible heckled. The only thing I found jeer-worthy of his segment was Diddy giving the worst performance of the night with arguably the least convincing lip-syncing ever publicly performed. What made it so bad was that during his “Welcome to Atlanta” verse, Dupri was still backing him up with a live mic resulting in awkward audio for all.

As for the second worst performance, it fell in the middle of an otherwise great No Limit tribute. Romeo came out dressed like his father circa-’96 to do “I’m Bout It, Bout It” and his tremendous attention to detail in the attire made it work. Off to a great start, things come to a screeching halt when this transitioned with the smoothness of a parking break into Silkk the Shocker’s “That’s Kool.” Despite being the final “hit” of the original No Limit Records, Silkk gave-up midway through the verse repeating one bar four times and then half-finishing the rest, just in time for Trina to miss her cue, do the second half of the chorus, and exit. Gucci Mane then came out as he and Kid Capri attempted to reenergize the crowd getting them just barely ready for MYSTIKAL to do his “MAKE ‘EM SAY UGHHHHHHHHHHHHHHHHHHHHHHH” verse, saving the night. It’s really great to see Mystikal back on the scene and as energetic as ever, but his appearance just made the choice of “That’s Kool” all the more baffling. Here you have a chance to reunite Silkk and Mystikal for arguably the label’s third most well known song (“It Ain’t My Fault”) and instead you opt for “That’s Kool,” a song nobody really liked or wanted to hear in the first place?

While Silkk Lupe-ing himself will most likely still make it to air, one thing you won’t see is the Serato breaking down during 2 Live Crew’s performance, resulting in them restarting three times over. Sadly, this means you’re going to miss the night’s most genuinely touching moment. After “Me So Horny” and “Hoochie Mama,” the opening notes of “Banned in the USA” suddenly went silent. With the show stopped and countless technicians rushing the stage to fix the problem, Luke walks out and says “No Music? F**k it then. Let’s do this.” He then goes into the Crew’s old “One and One” routine (their reinterpretation of The Kinks “All Day and All of the Night”) as each member joins in with a “just like old times” look in their eyes. Moments like this are what a show like Hip Hop Honors should be about and it would be a shame if you never got to see it.

With the bulk of this show set to be made in post-production, the lineup’s randomness really drained the crowd. The real star, however, was the tremendous set design and art direction. Every artist had a distinct motif that really captured who they were. It helped give each region a distinct look to match the sound and added a grandiose touch of theatrics. Both VH1 and the artists involved really went out of their way to make the night as comprehensive as possible, from Cool Breeze (the man who coined the phrase “Dirty South” on Goodie Mobb’s 1995 album Soul Food) performing the Organized Noize tribute to Mannie Fresh grabbing the mic in between 2 Live Crew technical difficulties to acknowledge Suave House and other southern icons that VH1 forgot.

While I really have no idea how this is going to look on air, I had a great time. The Rap-A-Lot medley was the best performance and believe me when I tell you it is not to be missed. If you check it out, be sure to look for me. I’m the one white guy who isn’t wearing a baseball cap and sunglasses indoors or has a flat-out embarrassing tattoo. Seriously caucazoids, step your game up!

So until next time…let’s agree to agree!

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5 Comments on “VH1 Hip Hop Honors 2010 – Reporting Live!”

  1. Sam Says:

    That sounds like a really good time. I will have to look for you when I watch. Just wondering why you didn’t give this one a rating like you usually do.


  2. good Review i was at the after party krazy! Cool Breeze and not khujo came up with the term dirty south.


  3. […] Popular Opinions with Chaz Kangas Let's Agree to Agree! « VH1 Hip Hop Honors 2010 – Reporting Live! […]

  4. cinestina barnburner Says:

    what’d you think of the Timbaland tribute?

  5. Solomon Jazz Says:

    It’s really hard for me to say that 2 Live Crew is hip hop music, but I guess it is. Their music is catchy, but hip hop? -Sigh- Oh well…


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