Posted tagged ‘grand hustle’

B.O.B. “The Adventures of Bobby Ray” – Album Review

May 4, 2010

WARNING: album will turn your iPod into a house of lies.

What is it about rap music that strikes fear into the hearts of music fans and record labels right now? While there seems to be a steady flow of rap releases every year, it seems the actual time spent “rapping” on them has been declining. It’s not a matter of guest appearances from R&B singers like the over-collaborative late-90s, rather rappers seem to be doing everything but rapping in order to help their rap record find an audience. Is the market for a straight-forward rap album just not there, or in this apocalyptic age of an everything-has-to-sell mentality are rap labels not comfortable enough with the rap audience being won over by a rap sheet of just rapping? Case in point, The Adventures of Bobby Ray the depressingly disappointing debut from Atlanta rapper B.O.B.

B.O.B. rose to prominence in summer 2007 off a string of mixtapes that made it seem like he was the rightful heir to the Outkast throne. For all the love Andre3000 gets (and rightfully so) for being one of the best rappers on the planet right now, it’s easy to forget that from 2004-2006 his “I-think-I’m-Prince” output was irredeemably awful*. So at a time when most of us were “kinda sour cause our favorite group ain’t comin’ with it,” B.O.B. appeared not as a poor imitation, but rather a heavily influenced artist who was now carving his own niche with songs like “Daddy” and “Sing My Song” that not only were great rap songs, but packed enough personality and seemed catchy enough to crossover to any audience. Then, he signed to Atlantic**. While early releases like “Grip Your Body” and others still showed tremendous promise, they were not an accurate indication of The Adventures of Bobby Ray’s 2010 release.

No relation.

The album is 48 minutes of “hey everybody, please like me.” While B.O.B. has shown an interest and talent in branching out from just rapping in the past, such as his B.O.B. vs. Bobby Ray mixtape that split the tracklisting evenly between rapping and singing, the presentation here just sounds contrived. The soundscape is heavily over-produced, the spaced-out singy-songy delivery is redundant and the guest list is one of the most blatant attempts at pandering I’ve ever seen. Joining B.O.B. are people who haven’t been interesting in a decade (Eminem, Rivers Cuomo of Weezer) and the people who are “interesting” in the most uninteresting ways (Lupe Fiasco, Janelle Monet). Many cite B.O.B.’s own musical fandom as the excuse reasoning, but if he were a real fan wouldn’t he know that not since 1996 has even Rivers Cuomo sounded interested in Rivers Cuomo?

The main reason why The Adventures of Bobby Ray fails as a rap album is how little rapping there is on it. Granted, the response to this is the same as Kid Cudi’s contingent who claim his is “not a rap album” as if there’s some sort of critic-proof forcefield that surfaces the second a rapper decides he knows how to sing. B.O.B. made a name for himself as a rapper, promoted this release as a rap album and it’s catagorized in the rap section. If it doesn’t walk like a duck or quack like a duck, why would you sell me such an awful duck?

They say that he's changing, cause he's getting famous.

I’m all for experimentation in music, but what the post-Gnarls generation of rappers fail to realize is that the greatest creative achievements come from what’s done within certain limits, not what’s done with no limits***. The disarming “Lovelier Than You,” a very genuine straight-forward sing-along, is great and would have worked perfectly as an endearing breather moment surrounded by actual rap songs. The fact that the album ends with it, “5th Dimension” (with worthwhile spacey non-sequitors) and “Airplanes Part 2″ (where Eminem kicks the same ‘what if I never blew up’ verse he’s kicked for six years now, but this is one of the best times he’s done it so it works), the three strongest songs on the album, heavily devalues the rest of the album with each re-listen. While The Adventures of Bobby Ray might attract some audiences looking for a spaced-out existential singing endeavor, as a rap record it’s a dubious failure that should be banished to where the Idlewild things are.

We Give The Adventures of Bobby Ray a Two Out of Five

So until next time…let’s agree to agree!

*A vivid memory of the 2006 Tower Records liquidation sale was, on the final day, the rows and rows of unsold Idlewild CDs next to as many copies of the Held Up soundtrack. The fact that a group whose previous effort moved ten million copies couldn’t get people to buy their new record for $1.00 is a testament to how wretchedly awful that album is.

**Not unlike Jive Records, Atlantic has proven completely inept time and time again with breaking new rap talent. While they have had success with TI and others who had already debuted on other labels and had the A&R work done for them, the streets are littered with everyone from Little Brother to Apathy that they clearly had no idea what to do with.

***Except, of course, for what’s done with No Limit Records. Those results are often bout it bout it.

Who Flopped It Better? – “Go, Go Power Rangers!”

March 10, 2010

Rappers heard that guitar solo and said 'DADDY, BUY ME THAT!'

Oh man, do I love the internet. Among the many wonderful things the computer-telephone hybrid known as the information super-highway can give us are the exciting and always-engaging echo-chambers known as Blogs. One of my favorites for years has been Soul Sides, written and directed by Dr. Oliver Wang. In late 2007, he ran a ridiculously fascinating series called “Who Flipped It Better?” where he posted an original composition and two rap songs that sampled it, asking his readers “who flipped it better?”

Wang grew up on classic soul and has the same passion for it that I have for pop culture. Therefore, I thought I’d sample* his idea for my own entirely original series – ‘Who Flopped it Better?’ Today we’re looking at a song near and dear to my heart, the theme from the Emmy and Nobel Peace Prize winning television show Mighty Morphin Power Rangers.

The Mighty RAW (Ron Wasserman) – “Go Go Power Rangers” (1993)

Composed by Ron Wasserman and Shuki Levy (who handled the bulk of the music for Saban Entertainment’s programming), the catchy anthem was just infectious enough to spearhead Morphin-Mania to the moon and be heard ad-nauseum throughout the show and outside of it, so no matter where you went, the Power Rangers would be “Go-Going” with you. The song itself is the audio equivalent of what the next decade of children’s entertainment was going to become. The repetitive urgent bass subliminally gave the show’s start an importance. The wonderfully obnoxious guitar solo sounds almost like a caricature of dated early-90s rock, appealing to the young audience as an overabundant pseudo-gateway into their older peers’ world. Finally the call-and-response chorus of “GO GO POWER RANGERS!” giving kids all the fun of the sing-a-longs they’ve outgrown, allowing them to have a rallying cry and instant bonding point with the whole neighborhood. There’s a science to sampling, and with nostalgia being more powerful this decade than ever it was only a matter of time before this immortal piece of music was sampled.

Juvenile – “I Got That Fire” (2000, Produced by Mannie Fresh)

1993 AD, the year “Go Go Power Rangers” hit the airwaves, was also the same year New Orleans rapper Juvenile released his debut single “Powder Bag.” While it would still take another five years for him to break nationally with “Ha,” it was his 2000 single “I Got That Fire” that finally brought the two worlds together. Cash Money Records in-house producer Mannie Fresh interpolated several elements of the original orchestration throughout the beat, but Juvenile’s overabundant charisma made the channeling almost unnoticeable. The fact that Juvenile doesn’t acknowledge the beat’s source material at all aids how well the song has aged. It’s not kitschy or gimmicky, just a case of a producer using a melody to help create something new.

Young Dro – “House on Me” (2008, Produced by Young Sears)

Not unlike the child who doesn’t eat the crust of his pizza, Young Sears just took the part of “Go Go Power Rangers” we love the most (the opening guitars) and made an entire beat out of it. The oddly melodic Dro hook works and acts as a great balance for Grand Hustle’s best rapper** to kick meticulously complex and satisfyingly re-playable verses. Dro’s flow is fantastic, his writing is on point and by also not making a gimmick out of the beat allows the song to have an incredible shelf-life.

OK kids, WHO FLOPPED IT BETTA? Mannie Fresh or Young Sears? Juvenile or Young Dro? Kimberly or Trini? SO WAT’CHA WANT?!?!?!

So until next time…Let’s Agree to Agree!

*and by “sample” I mean steal.

**You heard me.

This post is dedicated in loving memory of ‘Ag3nt M.O.E.’ Moses Malloy. 1986-2009 RIP homie.


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